{"id":42,"date":"2023-10-11T04:01:00","date_gmt":"2023-10-11T04:01:00","guid":{"rendered":"https:\/\/riccardo964a.wordpress.com\/2023\/10\/11\/kochanski-del-gesu-1741\/"},"modified":"2024-11-07T04:17:03","modified_gmt":"2024-11-07T04:17:03","slug":"kochanski-del-gesu-1741","status":"publish","type":"post","link":"https:\/\/riccardo964.techster.uk\/index.php\/2023\/10\/11\/kochanski-del-gesu-1741\/","title":{"rendered":"Kochanski &#034;del Ges\u00f9&#034;, 1741"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201cArguments rumble on as to whether Guarneri was insane, incompetent or a genius beyond our ken, but there is no denying that this violin is a wonderful artefact, thrilling to the eye and ear\u201d<\/em><\/p>\n<cite>Written by John Dilworth in the The Strad (October 1994 issue).<\/cite><\/blockquote>\n\n\n\n<p>This violin was made by Giuseppe Guarneri &#8216;del Ges\u00f9&#8217;, in Cremona, 1741.<\/p>\n\n\n\n<p><a href=\"Joseph (Bartolomeo Giuseppe) Guarneri (1698 - 1744)\" target=\"_blank\" rel=\"noopener\">Joseph (Bartolomeo Giuseppe) Guarneri<\/a> (1698 &#8211; 1744) was an Italian luthier from the Guarneri family.<\/p>\n\n\n\n<p>The violin is a beautiful piece of art as depicted by its poster (The Strad): <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"611\" height=\"489\" src=\"https:\/\/riccardo964a.files.wordpress.com\/2023\/10\/kochanski-violin-1.png?w=611\" alt=\"\" class=\"wp-image-257\" style=\"width:472px;height:auto\" srcset=\"https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-1.png 611w, https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-1-300x240.png 300w\" sizes=\"(max-width: 611px) 100vw, 611px\" \/><\/figure>\n\n\n\n<div class=\"separator\" style=\"clear: both;text-align: center\"><\/div>\n\n\n\n<p>&#8220;del Ges\u00f9&#8221; (literally, &#8216;of Jesus&#8217;) used the <i>nomen sacrum<\/i> IHS (iota-eta-sigma) to denote his initials in the violin labels (meaning either how Jesus was called in Greek or <i>&#8220;Iesus Hominum Salvator&#8221;<\/i>).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"620\" height=\"326\" src=\"https:\/\/riccardo964a.files.wordpress.com\/2023\/10\/kochanski-violin-3.png?w=620\" alt=\"\" class=\"wp-image-259\" style=\"width:518px;height:auto\" srcset=\"https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-3.png 620w, https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-3-300x158.png 300w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/figure>\n\n\n\n<p>It has a distinguished red varnish.<\/p>\n\n\n\n<p><i>&#8220;The bass side exhibits a heavy, broad grain, while the treble side is of much finer-grained wood.&#8221;<\/i><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Name<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<p>The instrument was named after one of its most famous players: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Kochanski\" target=\"_blank\" rel=\"noopener\">Paul Kochanski<\/a> (Pawe\u0142 Kocha\u0144ski) (1887 &#8211; 1934), a Polish violinist.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Back length<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<p>Perhaps one feature that highlights the Kochanski over the other violins is the back length:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1666 Stradivari&#8217;s &#8220;Aranyi&#8221; violin by Antonio Stradivari (1644 &#8211; 1737)\n<ul class=\"wp-block-list\">\n<li>Back length: 348mm <\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>1667 Stradivari&#8217;s &#8220;Jenkins Thompson&#8221; violin by Antonio Stradivari\n<ul class=\"wp-block-list\">\n<li>Back length: 350mm<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>1735 Guarneri&#8217;s &#8220;Plowden&#8221; violin by Guarneri \u2018del Ges\u00f9 (1698 &#8211; 1744)\n<ul class=\"wp-block-list\">\n<li>Back length: 351mm<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>1741 Guarneri&#8217;s &#8220;Kochanski&#8221; violin by Guarneri \u2018del Ges\u00f9\n<ul class=\"wp-block-list\">\n<li><b>Back length: 351.5mm<\/b><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>1750 Giovanni Battista Guadagnini (1711 &#8211; 1786), Milan\n<ul class=\"wp-block-list\">\n<li>Back length: 350mm<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>1771 Giovanni Battista Guadagnini, Turin\n<ul class=\"wp-block-list\">\n<li>Back length: 350mm<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p>Does 1 mm make all the difference in the world? Well, you tell me. That&#8217;s 1 part out of 1,000.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Measurements<\/h3>\n\n\n\n<p>The Kochanski violin has the following measurements:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Back<\/b>: One-piece, a mirror image of the Ysa\u00ffe of 1740<\/li>\n\n\n\n<li><b>Top<\/b>: Unmatched pieces, the treble side being fine-grained from the same log as the &#8220;Vieuxtemps,&#8221; and the bass side being wide-grained from the same log as the belly of the &#8220;Ysa\u00ffe&#8221;<\/li>\n\n\n\n<li><b>Length of back<\/b>: 35.15 cm<\/li>\n\n\n\n<li><b>Upper bouts<\/b>: 16.6 cm<\/li>\n\n\n\n<li><b>Middle bouts<\/b>: 11.1 cm<\/li>\n\n\n\n<li><b>Lower bouts<\/b>: 20.6 cm<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Provenance<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>in 1880: Enthoven<\/li>\n\n\n\n<li>in 1907: Charles Davis<\/li>\n\n\n\n<li>c. 1912 &#8211; 1917: Richard Davis<\/li>\n\n\n\n<li>in 1917: Sold by W. E. Hill &amp; Sons<\/li>\n\n\n\n<li>1917 &#8211; 1925: Richard Bennett<\/li>\n\n\n\n<li>in 1927: Sold by W. E. Hill &amp; Sons<\/li>\n\n\n\n<li><b>1927 &#8211; 1934: Paul Kochanski<\/b><\/li>\n\n\n\n<li>until 1958: Rosenberg<\/li>\n\n\n\n<li>1958 &#8211; 2009: Aaron Rosand<\/li>\n\n\n\n<li>in 2013: Current owner<\/li>\n<\/ul>\n\n\n\n<p>The next figure shows Aaron Rosand playing the Kochanski (it took him 10 years to pay back the loan he used to purchase the violin):<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"586\" height=\"379\" src=\"https:\/\/riccardo964a.files.wordpress.com\/2023\/10\/kochanski-violin-2.png?w=586\" alt=\"\" class=\"wp-image-258\" srcset=\"https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-2.png 586w, https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/kochanski-violin-2-300x194.png 300w\" sizes=\"(max-width: 586px) 100vw, 586px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Current owner<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<p class=\"has-text-align-left\">In 2009, the violin was sold, according to this piece by <a href=\"https:\/\/archive.nytimes.com\/artsbeat.blogs.nytimes.com\/2009\/10\/21\/guarneri-violin-sold-for-10-million\/\" target=\"_blank\" rel=\"noopener\">The New Yorker Times<\/a>:<\/p>\n\n\n\n<p class=\"has-text-align-left\"><i>&#8220;The buyer was a <b>Russian billionaire<\/b> whom Mr. Rosand declined to identify and who paid perhaps the highest price ever for a violin: about $10 million.&#8221;<\/i><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Interesting links<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=bSytF5I7SR4\" target=\"_blank\" rel=\"noopener\">Paul Kochanski (1887-1934) playing the Kochanski<\/a> (1741) on YouTube <\/li>\n\n\n\n<li><a href=\"https:\/\/www.sheilascorner.com\/kochanski.html\" target=\"_blank\" rel=\"noopener\">Sheila&#8217;s Corner<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.thestradshop.com\/store\/thestrad\/kochanski-guarneri-del-gesu-violin-1741-poster\/\" target=\"_blank\" rel=\"noopener\">The Strad Poster<\/a> of the Kochanski 1741 (\u00a322.95 on Oct\/23)<\/li>\n\n\n\n<li><a href=\"https:\/\/tarisio.com\/cozio-archive\/property\/?ID=42807\" target=\"_blank\" rel=\"noopener\">Tarision on the Kochanski<\/a><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"608\" height=\"967\" src=\"https:\/\/riccardo964a.files.wordpress.com\/2023\/10\/paul-kochanski-1.png?w=608\" alt=\"\" class=\"wp-image-942\" style=\"width:512px;height:auto\" srcset=\"https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/paul-kochanski-1.png 608w, https:\/\/riccardo964.techster.uk\/wp-content\/uploads\/2023\/10\/paul-kochanski-1-189x300.png 189w\" sizes=\"(max-width: 608px) 100vw, 608px\" \/><figcaption class=\"wp-element-caption\">Paul Kochanski, 1913, with another violin, as we&#8217;ve learned that he acquired it on 1927. The card reads &#8220;<em>A mon cher ami Andrei &#8216;Chavenay&#8217; (?) by Paul Kochanski, 1913&#8243;<\/em> written in French (translated: to my friend Andrei).<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Epilogue<span style=\"font-size: medium\"><\/span><\/h3>\n\n\n\n<p class=\"has-text-align-left\">There you have it. Made by &#8220;de Ges\u00f9&#8221; and ended in some billionaire&#8217;s private collection.<\/p>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cArguments rumble on as to whether Guarneri was insane, incompetent or a genius beyond our ken, but there is no denying that this violin is a wonderful artefact, thrilling to the eye and ear\u201d Written by John Dilworth in the The Strad (October 1994 issue). This violin was made by Giuseppe Guarneri &#8216;del Ges\u00f9&#8217;, in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[45,78],"class_list":["post-42","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria","tag-kochanski","tag-violins"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kochanski &#034;del Ges\u00f9&#034;, 1741 - Riccardo Soffitari Liutaio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riccardo964.techster.uk\/index.php\/2023\/10\/11\/kochanski-del-gesu-1741\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kochanski &#034;del Ges\u00f9&#034;, 1741 - Riccardo Soffitari Liutaio\" \/>\n<meta property=\"og:description\" content=\"\u201cArguments rumble on as to whether Guarneri was insane, incompetent or a genius beyond our ken, but there is no denying that this violin is a wonderful artefact, thrilling to the eye and ear\u201d Written by John Dilworth in the The Strad (October 1994 issue). 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